Technical Specifications (v1version 1 2026)

Stage

• Stage rake: 0%.
• Stage depth from the proscenium: 13.80 mmetres.
• Maximum stage depth with the apron/orchestra pit covered: 17.90 mmetres.
• Width between columns: 18.70 mmetres.
• Height to the grid: 22.22 mmetres. Grid width: 16 mmetres.
• Height to the second fly gallery: 13.45 mmetres.
• Height to the first fly gallery: 10.00 mmetres.
• Trap room area: 11.90 m × 6.70 m11.90 metres by 6.70 metres.

Stage Wings

• Stage left wing (Carbayón): height 5.50 mmetres.
• Stage right wing (Correos): height 6.40 mmetres.
• Approximate stagehouse area: 250 m²square metres.
• Approximate wing area: 125 m²square metres.

Proscenium

• Clear width between the fixed tormentors: 13.10 mmetres.
• Total width: 14 mmetres.
• Clear height to the fixed black teaser: 8.55 mmetres.
• Total height: 12.50 mmetres.

Apron / Orchestra Pit

• Maximum width: 15.20 mmetres.
• Maximum depth at centre: 2.80 mmetres.
• Height from the stalls to stage level (apron): 1.07 mmetres.
• Height from orchestra pit to stage: 2.53 mmetres.

Loading Access

• Direct access to the stage through the loading door located in the stage left wing (Carbayón).
• Loading door dimensions: 2.80 m × 2.65 m2.80 metres by 2.65 metres.

View Plan

Stage Machinery

Battens

• Maximum load: 400 kgkilograms.
• Length: 15.80 mmetres.
• 17 KREMESA-type counterweight battens (CC). Located beneath the grid (21.50 mmetres).
• 19 two-speed motorised battens (CM): 23.60 m/minmetres per minute and 8.10 m/minmetres per minute. Located:
  • 14 beneath the grid (21.50 mmetres).
  • 2 beneath the second fly gallery (12.20 mmetres).
  • 3 beneath the first fly gallery (8.90 mmetres).
• 5 manual battens (CMN). Located beneath the first fly gallery.

Chain Hoists

• 5 VERLINDE chain hoists with push-button control (without variable speed drive). Speed: 8 m/minmetres per minute. Maximum load: 500 kgkilograms.
• 12 VICINAY chain hoists with control system (without variable speed drive). Speed: 6 m/minmetres per minute. Maximum load: 500 kgkilograms.
• Travel: 22 mmetres. Supplied with grid support frames.

Orchestra Platform

• SPIRALIFT lifting system.

Black Box Equipment

• 1 teaser, 16 m × 1.50 m16 metres by 1.50 metres.
• 6 borders, 16 m × 4 m16 metres by 4 metres (one fixed teaser).
• 4 legs, 3 m × 10 m3 metres by 10 metres.
• 8 legs, 4 m × 10 m4 metres by 10 metres.
• 4 legs, 5 m × 10 m5 metres by 10 metres.
• 2 legs, 8 m × 10 m8 metres by 10 metres.
• 2 black backdrops, 16 m × 10 m16 metres by 10 metres.

Scrims and PVC

• White scrim, 11 m × 8.50 m11 metres by 8.50 metres.
• Grey scrim, 15 m × 10 m15 metres by 10 metres.
• Black scrim, 15.50 m × 10 m15.50 metres by 10 metres.
• Black scrim, 12 m × 8 m12 metres by 8 metres.
• Black scrim (2 panels), 5 m × 10 m5 metres by 10 metres.
• Grey PVC sheet, 15.55 m × 10.10 m15.55 metres by 10.10 metres.
• Cinema screen, 12 m × 9 m12 metres by 9 metres.

Dance Floor

• 8 reversible dance floor rolls (grey/black), 12.70 m × 1.60 m12.70 metres by 1.60 metres.

Accessories

• 1 Termiser UL40 personnel lift. Maximum working height: 14 mmetres.
• 1 Termiser UL25 personnel lift. Maximum working height: 9.50 mmetres.

Lighting

• ETCee tea see Obsession II lighting console:
  • Capacity: 4,600 channels.
  • Outputs: 3 DMX universes.
  • Location: open control booth on the main level, second auditorium tier.

Lighting Fixtures

• 40 Harmony PC 1,000 Wwatts (all fitted with barndoors).
• 12 Selecon PC 2,000 Wwatts (all fitted with barndoors).
• 24 Selecon Fresnel 2,000 Wwatts (all fitted with barndoors).
• 19 Selecon 24°/40° 1,200 Wwatts (5 iris diaphragms and 12 Type A gobo holders).
• 4 ADB DN205 10°/22° 2,000 Wwatts (all fitted with iris diaphragms and Type A gobo holders).
• 2 ADB Fresnel 5 kWkilowatts (with barndoors).
• 40 ETCee tea see Source Four 575 Wwatts (10 ×by 19°, 12 ×by 26°, 12 ×by 36°, 6 ×by 50°). Accessories: 20 iris diaphragms, 24 Type A gobo holders, 6 Type B gobo holders and 6 glass gobo holders.
• 16 ETCee tea see Zoom 15°/30° for the auditorium, with gobo holders.
• 21 ETCee tea see Zoom 25°/50° for the auditorium, with gobo holders.
• 11 iris diaphragms available for the ETCee tea see Zoom fixtures.
• 59 Spotlight Domino asymmetrical quartz luminaires, 1,000 Wwatts.
• 101 PAR 64 1,000 Wwatts (45 Tomcat Spotlight and 56 D.T.S.) (Lamps: 60 CP60, 60 CP61 and 60 CP62).
• 2 Robert Juliat Aramis Grand 2500 Wwatts HMI followspots.

Control and Dimming

• 120 ETCee tea see Sensor CE dimmer channels, 3 kWkilowatts.
• 24 ETCee tea see Sensor CE dimmer channels, 5 kWkilowatts.
• 48 Strand Permus dimmer channels, 2.5 kWkilowatts.
• 1 patch panel with 444 × 2.5 kW444 2.5 kilowatts circuits and 27 × 5 kW27 5 kilowatts circuits, distributed throughout the auditorium and stage.

Stage Lighting Positions

• 12 electrics with 12 circuits each (2.5 kWkilowatts per circuit). Convertible into 6 electrics with 24 circuits each.
• 10 side booms, 3 mmetres high, with 6 adjustable sections.
• 5 front-of-house lighting bars with 12 × 2.5 kW circuits and 2 × 5 kW circuits. Distribution:
  • 2 side bars on the second tier.
  • 2 side bars and 1 front bar on the third tier.

Accessories

• 2 Smoke Factory Tour Hazer II S, 1,500 Wwatts.
• 1 Smoke Factory Captain, 1,300 Wwatts / Fast-Fog fluid.
• 1 three-phase auxiliary stage power distribution unit for visiting companies (Carbayón stage left wing), rated at 250 Vvolts – 630 Aamperes. Available connections: 1 × 63 Aamperes outlet, 1 × 32 Aamperes outlet and 2 × 16 Aamperes outlets.

Sound

• Soundcraft Vi4 mixing console. Location: open control booth on the main level, second auditorium tier.
• Soundcraft Si Impact mixing console.
• Soundcraft Spirit Powerstation 600 analogue mixing console. Yamaha EMX68 powered mixing console.

Microphones

• 5 Shure conference microphones.
• 10 Neumann KM184 microphones.
• 2 RHODE NTG2 shotgun microphones.
• 3 AKG Crown PCC160 boundary microphones.
• 4 Sennheiser EW100 G3 wireless systems comprising:
  • 4 bodypack transmitters.
  • 4 beige HS2 headset microphones.
  • 2 Sennheiser SKM735 handheld transmitters.
• 1 AKG Drum Set Session (7-piece drum microphone set).
• 1 Shure SMS7 microphone.
• 2 AKG C3000 microphones.
• 4 AKG C1000 microphones.
• 2 Sennheiser BF541 microphones.
• 2 Shure Diversity SM58 wireless handheld microphones.
• 2 Shure SM58 microphones.
• 1 Shure 55SH II microphone.
• 2 Behringer B-2 Pro large-diaphragm microphones.

P.A. System

• Stage: total output 2,500 Wwatts.
  • 4 Martin Audio W3 loudspeakers (mid/high).
  • 2 Martin Audio WS2 subwoofers.
• Proscenium: total output 2,400 Wwatts.
  • Cluster: 2 d&b Vi10P loudspeakers (2,400 Wwatts).

Stage Monitors

• 4 LD Systems AG3 (10"inches) adjustable hanging monitors.
• 4 LD Systems AG3 (12"inches) monitors (2 active / 2 passive).
• 4 Martin Audio LE350 stage wedges (total output 1,200Wwatts).
• 4 C115 (5"inches) passive monitors.

Amplification and Processing

• Main P.A. rack:
  • 2 × LD Systems DP2400X (2 × 1200 W)2 units, 1200 watts.
  • 1 × MC² Audio T1500.
  • 1 × Stewart World 2.1.
  • 1 × XTA AudioCore (P.A. processor / system controller).
• Central cluster:
  • 1 × d&b D40 amplifier.
• Monitor rack:
  • 4 × LD Systems DP2400X (2 × 1200 W)2 units, 1200 watts.
  • 1 × MC² Audio T1000.
  • Total power amplifiers: 10.

Accessories

• 1 Apple iMac 21.5-inch computer with QLab software for audio/video control. Includes an RME audio interface with MADI / AES-EBU protocol.
• 1 Denon DN-500R USB/SD recorder/player.
• 1 Numark NDX500 CD/MP3/USB media player.
• 1 Denon DN-HD2500 dual CD player.
• 2 DOD 265 Stagehand passive DI boxes.
• 5 LD Systems LDI02 active DI boxes.
• 1 Apple iPad with Soundcraft Vi remote control software.
• 1 Yamaha SPX90 multi-effects processor.
• 1 Lexicon LXP-15 II multi-effects processor.
• 1 SCV 2-channel, 28-band graphic equaliser.
• 1 XTA 2-channel, 30-band graphic equaliser.
• 1 Behringer Composer dynamics processor.
• 2 the t.bone microphone antennas.

Intercom

• 1 Clear-Com MS-400 master station.
• 1 Clear-Com KB-111 speaker station.
• 8 Clear-Com RS-100 beltpacks.
• 3 Altair WBS-202HD wireless base stations.
• 20 Altair wireless beltpacks.

Cue Monitoring System

• Public address system serving dressing rooms, corridors and audience foyers.
• Stage manager's control desk with camera monitoring of the orchestra pit and proscenium, comprising:
  • 2 monitors.
  • 1 Optimus microphone for dressing room announcements.

Rehearsal Rooms

• 4 JBL EON powered loudspeakers (140 Wwatts).

Rooms

The dressing rooms and rehearsal rooms are located on the level below the stage.

Dressing Rooms

• Adjacent to the "Badenes Room" rehearsal room:
  • 8 individual dressing rooms (1–2 people).
  • 4 shared dressing rooms (15–20 people).
• Adjacent to the "Sagi Room" rehearsal room:
  • 1 Men's Orchestra dressing room.
  • 1 Women's Orchestra dressing room.
  • 1 Conductor's dressing room.

Badenes Room (Rehearsal Room)

• Wooden floor (non-sprung).
• Portable ballet barres.
• Sound system.
• Approximate area: 200 m²square metres.

Sagi Room (Rehearsal Room)

• Wooden floor (non-sprung).
• Sound system.
• Approximate area: 280 m²square metres.

Plans

Stage Floor Plan

Carbayón Wing Section

Stage and Auditorium Floor Plan